It’s a brilliant piece of music, I presume the lyrics refer to doing a deal with the devil at midnight, but I really can’t make sense of them
I can’t fully speak for Paul Bambrick on this Dave.When creating the 'fictional' Rosedale* are the buildings here based on existing Derbyshire Peak District properties?
Would the same tenet apply to 'fictional, scenes of other locales?
* As soon as I see Rosedale all I can think of is the 1966 Cream song Crossroads (a great live track!) which has the line - Well, I'm going down to Rosedale.
They do all look authentic and certainly shout Peak District to me. It's a superb bit of modelling, as individual buildings spot on, perhaps it's me but my only comment would be that to me the colours are too uniform on the cottage walls. It may well be the detailing is still ongoing (a few more chimneys?) but for me a little more tonal variation in the cottages would make it work better as an overall scene.I can’t fully speak for Paul Bambrick on this Dave.
They are his work with some of Keith’s embellishments.
However, I’m fairly sure the odd one had a Metcalfe Kit at its core, and PB tweaked them, created the stonework, etc, to make them represent buildings that would fit the area modelled.
Others he’s used prototype images for, some of those images I’m using for the scenic work.
Hope that’s some way to an explanation?

Adrian,They do all look authentic and certainly shout Peak District to me. It's a superb bit of modelling, as individual buildings spot on, perhaps it's me but my only comment would be that to me the colours are too uniform on the cottage walls. It may well be the detailing is still ongoing (a few more chimneys?) but for me a little more tonal variation in the cottages would make it work better as an overall scene.
View attachment 251796
Yes I'd agree and needs to be very subtle to maintain the illusion. I'm also aware of the danger in using modern photos to judge a bygone era. For example the photo I posted the walls by the roads seem to be a shade darker than other retaining walls for example around the courtyard of the house on the far right. This I would guess is due to the internal combustion engine pollution of the last 50-70 years.the addition of detail and contrast needs to be handled carefully - as I’m sure you’d agree - otherwise the illusion of distance could be lost?
I watched the video of Rosedale in today's Virtual show by the Guild it's looking really good and effective. It was great to watch and Keith covered all sorts of the little details.To confess,
None of the rock work or the stone faced culvert front is my work - it’s all the work of Keith - the layout owner: he’s hand carved all of it in plaster.
My part has been the scenic dressing and colouring.
Thank you for the lovely comments nonetheless.
Neil.


